Wednesday, February 25, 2015

Data Visualization: Chrysal

Visually Representing Chrysal

In looking up countries mentioned in Chrysal, I found that all of the numbers were surprisingly low. 
While it is true that Chrysal spends a good amount of the book in England, ‘England’ was only used 62 times total. Peru was mentioned mostly at the beginning of the book, except where Chrysal returns to Peru in volume 2. Jamaica was found only at the beginning, while most of the rest appeared later on.



One of the things that stands out especially is the fact that the heaviest saturation of country names occurs in volume 2, when the war- and politics-centric stories begin. While some names are mentioned in passing in the start of the book (i.e. when Chrysal mentions a war between Spain and England), most appear towards the end. Even England, which has the most mentions of any of the countries I looked at, is mostly mentioned in the first part of the novel when Chrysal is travelling there. I had thought that there were far more names mentioned earlier in the book, especially because of all the character-switching, but Jamaica, Peru, and England were nearly the only countries that were given more than a passing comment.


Change/Exchange

Simply from the title, we know that the story of Chrysal tracks the movement of a spirit that started as a piece of gold and moved through other forms before spending the majority of his existence as a guinea. Chrysal changes "masters" many time, in a variety of ways as is familiar to anyone who has read the book. In an attempt to track the reasons Chrysal changed masters, and as a play on the monetary value of him, it was necessary to examine the words "change" and "exchange." In context, as can be seen, overwhelmingly the word "exchange" is used primarily when Chrysal is involved in commerce of some type - generally to or from one currency to another. Although Chrysal was changed as a means of charity or respect six times, this category also includes bribes, which are referred to in the book as forms of respect. Most significantly, although Chrysal interacts with a number of characters, he is only “changed” or “exchanged” a relatively few number of times and he is never stole. This dissection calls into account how Chrysal is actually able to interact with all the characters if they are not his direct masters.



Types of Currency

Looking at the relative frequencies of the words “gold(en),” “guinea,” and “bank-note,” we can track Chrysal’s transformation from a piece of gold, to a crucifix, to a doubloon, and finally to a guinea - the form he spends the majority of his journey in. It is interesting to note that while these frequencies change, money is always a driving discussion within the novel. It is interesting to question if this is a focus of the novel due to the societal conditions of the time and England’s move to a commerce economy, or if this view is skewed due to the fact that the novel is in fact narrated by a player in this commercial economy. Even “value” is used specifically to discuss the monetary worth of an item or a person. There is a golden veil over all of the words that can be used to describe money. As can be seen by the pie chart, the word “money” is specifically used more than half of the times that anything of monetary value is discussed.



Betting and Gaming

Although Chrysal seldom changes hands through gaming and most of his exchanges are made by payment of goods and services (or something like it), gaming is a subject that is brought up quite often throughout the novel.  As the graph shows, “game” and “gaming” appear a number of times through the text.  However, “bet” is concentrated near what would fall around page 240 or close to it.  This is one of those instances in which Chrysal changes masters by way of gambling.  We could chart “dream” and find a peak at the same location – the place in which Chrysal is won by the bishop’s wife.  I did find it interesting that, at the spot in which “bet”, “bets” and “rubber” (which is a set of games) peak, game and gaming drop off slightly.  “Game” and “games”, of course, come back strong at the end.

Importance of Names vs. Titles

Chrysal, the coin as well as the novel, is clearly much more concerned with the titles of characters than the actual names.  I was forced to leave “general” off of the above chart because it threw everything else into obscurity, coming in at 266 uses in the text.  “Grace” and “king” were second and third with 130 and 94 uses, respectively.  The majority of the uses of “grace” may be attributed to the bishop’s wife.  There were, however, other characters referred as “her Grace”.  With respect to actual names, George was used more frequently than Pitt.  This is somewhat surprising, considering the novel itself was dedicated to William Pitt and the dedication used the name extensively.  In fact, the majority of uses of Pitt and George are found in the beginning of the novel in the dedication.  Part of the reason for the importance of titles over individual names is possibly an attempt to avoid detection by the people who were being ridiculed and criticized by the novel.  Johnstone would have had to be careful who he named before he began his criticisms.
Virtue, Corruption, Vice, Power, and Charity in Chrysal

In Chrysal, the words virtue, corruption (corrupt), vice, and power come into play many times throughout the novel.  I was surprised at the frequency of the word charity because I did not remember seeing that word that much in the novel as a whole until I did the word frequency. Power was another word that had a lot of frequency in the novel.  I was really surprised that the word corruption was not used in the novel yet most of the owners of Chrysal were corrupted in some way. Virtue was used very frequently in the novel and it had many connotations. One of those connotations could be the virtuous noblemen (Sir Pitt) and both George’s.
The Seven Deadly Sins of Chrysal

The seven deadly sins are Pride, Greed, Wrath, Envy, Lust, Sloth and Gluttony.  Chrysal does a wonderful job in chronicling all of them.  Many of the other graphs and charts that we are presenting have a large amount of ups and downs – greater variations from chapter to chapter.  However, charting the usage of the sins is one of the more consistent graphs that I could come up with from this novel.  Gluttony is the only one of these sins that is not directly named but this by no means signifies its absence from the novel.  The mere size of the venerable Matron described on pages 274-275 show clear signs of Gluttony and excess.  My first guess, when considering the topic of the seven deadly sins for discussion, was that Greed would be at the top of the list followed closely by Envy.  I was surprised to see that Greed was rarely mentioned at all, instead referred to as Avarice, but was still not at the top of the sin heap at thirty-four times in the text.  I was equally surprised that Envy only showed up nine times in the text.  The winner turned out to be Pride with a total of thirty-eight appearances.




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